Requiem of joy and sorrow
February 12-16, 2016
I
had been introduced to DCINY (Distinguished Concerts International of New York)
back in 2014, when the members of Schola Cantorum were invited to sing David
McCulloughÕs ÒHolocaust CantataÓ at the Lincoln Center in New York. We had performed the work in Schola a
few years prior at a Jewish community center, and when it came to our attention
they were going to be performing the same work in NY, Schola jumped at the
chance. We ended up having around a
dozen singers, making for a memorable experience. (I had just started a new job about 2
weeks before that, but my manager let me take the time off un-paid since he was
excited for me!)
We
had maintained good relations with DCINY, and when another chance had come up
to perform at Carnegie Hall – this time the Mozart Requiem, Schola was
once again invited. Vance George
was going to be conducting - I was excited to be performing under him. He had directed the ÒCarmina
BuranaÓ as a summer sing a couple years back and he
directed quite a stirring performance!
I had also performed the Verdi Requiem with his annotations - sharing
his deep insights and comprehension of the music. There would be 4 singers this year from
Schola participating in MozartÕs Requiem – me, Mark, Joan and Julia.
IÕll
never forget the day that 9/11 happened - it was one of those things that you
remembered exactly where you were when something happened (like the Loma Prieta earthquake or when Kennedy was shot if you were
around). I was asleep in my
bedroom, and the phone call came at around 7 in the morning. My phone buzzed and chimed louder than I
had ever heard it, jarring me awake.
I just remember the words from my dad - ÒTurn on the TVÓ and ÒWe are
under attackÓ. I ran over to the
living room where my roommate Eng already had the
news on. The second tower had just
been hit and thatÕs when they knew for sure it was not an accident. I sat there mesmerized for hours,
staring at the TV, watching the towers fall shortly afterward. It was like out of a movie - it couldnÕt
be happening. I remember going into
work maybe around 11 that morning and sitting around not even able to be able
to concentrate on my database code - I think I went back home within an hour -
and so did my coworkers.
It
was a dark chapter of AmericaÕs history and grieving and healing would take
years. The capture of Osama Bin
Laden in 2011 brought some closure, but so many questions remained and so many
edges remained ragged. I went home
over Thanksgiving that year, and we decided as a family to visit Ground
Zero. I couldnÕt believe that even
months later, they were still cleaning up wreckage and finding remains of
missing bodies. The smell of the
ash and dust lingered for months after that. It was a solemn memorial - seeing
handwritten notes and displays of solidarity and patriotism not seen in a long
time.
Music
can be a powerful means for healing, and I got to participate in a rendition of
the Mozart Requiem on the 1-year anniversary of 9/11 in 2002. It was a stirring performance (and a
memorable one for me - I was the tenor soloist in the Benedictus
- I still remember about every note of it even to this day). The Mozart Requiem was the first choral
piece of music I ever performed – it was during my freshman year when I
decided to study music at MIT.
Schola Cantorum was invited to participate in a 10-year remembrance
concert of 9/11 as well, performing with several other groups. The risers were bursting at the seams
when over 200 singers gathered together in the beautiful Stanford Memorial
church in a standing-room-only packed house.
I
was a bit nervous about the trip to Carnegie Hall as it neared - not really
knowing what to expect. Would I
make an obvious gaffe on stage?
Come in early on an entrance and sing an unplanned solo (easy to do on
one of the many fugue sections)?
Flight get cancelled?
Develop laryngitis the day of the concert? Get caught in a big snowstorm? There had been a Òsnow-mageddonÓ a couple weeks earlier, shutting down much of the
east coast. In fact, when I was in
high school, a bunch of us had tickets to a Broadway musical, and the day of
the show, there was so much snow that the freeway was closed and we were unable
to even get to New York!
February 12
I
met at MarkÕs place where his wife was going to be giving us a ride to SFO for
our flights to NY. I was excited
about the trip but still a little nervous.
A small misadventure with a broken laptop and a small delay leaving the
house, but we were soon on our way.
I had to pack my full-on winter ski gear, knowing it was going to be
about 4 degrees with 40 mph winds soon after we got in. Fortunately I remembered I still had my
NY cap from the last trip. I
couldnÕt believe when we were at our gate that the trip was for real - that we
were on our way to Carnegie Hall!
I
was in line to get a coffee and pastry for brunch by our gate, when I noticed a
bunch of people lined up at the gate next to us. It looked like a solemn service was
about to start, like a casket was going to return from a fallen soldier in
Afghanistan or Iraq or something. I
stepped out of the line when I saw the door open and a bagpipe starting to play
The MarineÕs Hymn. I had expected
ÒAmazing GraceÓ as you often here in funerals. Immediately afterward a very old looking
veteran took his hat off and smiled to all the endearing people all
around. It turned out to be Hershel
W. Williams, a Marine who had received the Congressional Medal of Honor through
his valiant actions during the battle of Iwo Jima in WWII. He is the last surviving recipient of
the Medal of Honor from that battle.
We
were soon aboard our wide-body Boeing 767 as we hit the skies. A deep sunset filled the sky with
crimson hues somewhere over the clouds of the Midwest on our cross-country
journey. I felt so small at this
point – seeing the grandeur of the sunset, celebrating a Medal of Honor
winner. And I had just heard that
at LIGO, they had just made their first direct observation of gravitational
waves using interferometry – two 4 km long ÒL-shapesÓ of lasers and sensors
detected a stretching of space by one part in 10^21, confirming EinsteinÕs
theory developed 100 years ago.
It
was a relatively smooth flight throughout, and we were soon touching down on
the runway at JFK International airport.
The taxi ride to our hotel at the Ameritania was quick - unlike our last
trip where the taxi took an hour and a half in rush-hour traffic, this time we
were stepping in the door in 45 minutes.
The
hotel was swanky and modern and looked expensive and sophisticated everywhere
you looked. We had to be careful to
not touch the mini-bar in our room - the Snickers bar was $7, the water bottle
was also $7, and heaven forbid, donÕt touch that small wine bottle, the 375 ml
of alcohol would set you back a mighty $38. But we got a decent rate for the room -
less than $200 / night (thanks Mark for booking the room early). When I booked my room (we didnÕt know if
MarkÕs wife was coming, so we both booked rooms), my room was about $50 more /
night. I was thrilled to realize we
could share a room after all (a 2-bed room was the same price as a 1-bed room,
so it was a no-brainer!), and we cancelled my room and easily saved over $800!
A
cafŽ just down the street had some nice wraps and sandwiches. Although it was nearly 11:00 pm, a Cuban
style Panini hit the spot for a near-midnight snack – the layers of pork
were tender and tasty.
February 13
I
couldnÕt believe we were in New York!
It had been a long flight the previous day and I was glad to finally be
there. Mark somehow had the energy
to wake up early and use the gym, but I was happy to sleep in. The thick curtains kept out the light
even though it was well after 9:00 by the time I stirred. I was happy to enjoy breakfast right at
the hotel - they had a buffet like that of our favorite Best Westerns -
make-it-yourself Belgian waffles, fruit, yoghurt, muffins, OJ and coffee. A bunch of teenagers appeared to be in
town for a fashion conference – they were showing off their swanky
apparel.
Rehearsal
wasnÕt until 1:00, so there was time to wander and check out some of the local
sights. Mark had come back and
wanted to walk as well. We were
only a few blocks from Times Square, so we decided to have a look around. The HersheyÕs and M&M stores were
nearby - not to be missed. Times
Square is never without its costumed Disney characters who
would be happy to come up to you for a photo (and tip!) I guess it was a form of begging, but it
was entertaining. Mickey &
Minnie Mouse joined us with Iron Man and Elmo. A couple Minions were across the street
getting photos as well.
We
were excited to be staying right on Broadway in NY, and Mark being a theatre
aficionado was excited to catch at least a show or two. We looked at info on some of the shows
that were in town - a large booth right in Times Square was a central hub for
ticket reservations (at a hefty fee, however). We decided instead to wander by some of
the theatres themselves and look.
One show Mark was interested in was sold out for the evening, and
another show wasnÕt going to open until next month. We stumbled into another theatre across
the street - the Longacre theatre, where ÒAllegianceÓ
by George Takei was playing. I had
heard good reviews about George Takei, but wasnÕt familiar with
Allegiance. They still had some
mezzanine seats available. We both googled some reviews on our phones and when I read about
the setting in a Japanese internment camp in WY, I was fascinated. Mark was interested as well so we picked
up 2 tickets (at face value - no fees!)
Lunch
was a 1/2 sandwich at the same place as last night - I had a chicken avocado
wrap this time. I knew it was going
to be a long rehearsal and had to be well fueled. It was just a couple blocks to the Park
Central hotel where were having our rehearsal. On our way over there, we saw a number
of others carrying black folders - I felt the sense of camaraderie building,
knowing that hundreds of people from across the country (and maybe even around
the world) had come for this performance.
Another
group was rehearsing already - the concert had two parts, and we were the
second half. The first group was
just finishing their rehearsal and we got to catch the last couple songs –
some spirituals. They sounded
lively and eager to sing.
Meanwhile, Mark and I checked in in the back, picking up our badges and
final materials. A few others were
in line around us, and just a couple people over, I recognized one of them with
red hair – it was Joan from Schola!
And just a few minutes later, Julia showed up! I remembered a couple others from Schola
said they were interested, but I had forgotten which ones. I enjoyed singing with Joan and Mark
last year at the Lincoln Center and I looked forward to a repeat.
We
all had our assigned seats - I was in row 6, seat 20, near the back
center. A guy next to me turned out
to be a director from a chorus in Vermont and his chorus had a couple dozen
singers in NY - they rented a bus and all travelled together. A kid next to me on the other side was
from Vienna, and about 40 of them were on tour to America to NY to perform with
us. I reminisced about my tour with
MIT to Vienna and Budapest where we sang works by Stravinsky, Byrd and a couple
others. Another group was from
nearby Stuyvesant high school, and several other smaller groups joined as
well. About 30 of us were from
groups with less than 10 and we were all bundled as a miscellaneous group, the
ÒVance George SingersÓ group.
Taking our seats for
rehearsal
We
did a bunch of breathing exercises and pronouncing different vowels properly to
get our minds ready for the grand work we were about
to perform. We opened with work on
the ÒOsannaÓ fugues that book-end
the ÒBenedictusÓ, practicing the rhythms and fugal
entrances. Over the next 4 hours,
we worked on movement after movement, getting the notes and rhythms fresh in
our heads again. I had studied on
the plane, reviewing recordings on CDs and YouTube (on the Òolla-vogalaÓ channel where you follow along with the score), and
prepared myself emotionally as well - I expected a flood of emotions could pour
out at any time.
Back
at the hotel we checked some Yelp reviews and found a nice Greek restaurant a
few blocks away. I was game for
Greek and enjoyed some pita breads with different hummuses,
tzatziki sauce and smoked eggplant. The lamb was excellent and went well
with a Mythos beer. Even though it
was 4 degrees outside (NY was going through an unusual cold snap, even causing
Code Blue alerts to be issued for homeless people), we felt we were on one of
the sunny Greek islands on a summer evening.
We
had tickets for ÒAllegianceÓ at the nearby Longacre
theatre. The French neo-classical
interior was exquisite with flowing gilded ornaments surrounding the stage and
balconies. Our seats were in the
mezzanine below the balcony - although the balcony was just above our heads,
the architecture was designed so that nobody had an obstructed view. The lights were soon dimmed and the
curtain opened.
The
show was wonderful, better than I expected. We were lucky to catch the next-to-last
show before it closed. George Takei
is extremely talented, and I found a special connection with the fact that the
show takes place in a Japanese internment camp (in Heart Mountain, WY) and
George Takei himself was interned as well in real life (at Rohwer,
AR). My friendÕs mom had been
interned during her youth in Tulelake, and I had
recently visited several camps - Tulelake on our Lava
Beds trip in 2014, Moab on my Cataract Canyon rafting trip in 2014 and Manzanar on my Mt Gould trip (near Kearsarge
pass) in 2007. Seeing the guard
tower, monument, museum, and an abandoned runway in Manzanar,
full-grown cottonwood trees in Moab that had been planted as seedlings, and a
museum in Tulelake gave a sense of reality to the
dark chapter of American history. I
wonder if Donald Trump is voted for president if Muslims would be interned due
to fear of jihadists, in the same way fear of the Japanese was so pervasive in
America during WWII (though many Japanese like in the 442nd Regimental Combat
Team fought valiantly for America, and there are many Muslims are in the US
armed forces right now).
The
show ended with a deep sense of forgiveness between generations - peace had
finally been attained after many decades.
Sam and KeiÕs grandfather managed to grow a garden in the unforgiving
terrain, and seeing the new life in a flower, allowed him to pass away
peacefully from this earth. In real
life, it took over 40 years for a proper redress to occur, when President
Reagan signed the Civil Liberties Act in 1988 to compensate the survivors of
the Japanese internees years ago.
It might be too little and too late, but at least an effort was put
forth. I had never heard of such
atrocities in school history classes, and I donÕt think these wrongs were ever
addressed in any of our textbooks - it was all kept a secret. I wonder what atrocities are going on
right now that are being conveniently hidden from the public, that might only
be revealed 40 years from now.
It
takes decades to properly grieve and mourn these atrocities. Our last concert in NY in Nov 2014 was
about the sorrow of the Holocaust atrocities - we performed David McCulloughÕs
Holocaust Cantata, which was a tribute to the Polish Jews suffering in the
concentration camps in Auschwitz and Buchenwald and others. I remember the day after getting my
music for this concert, I was on a bike ride on the Guadalupe trail and I
realized I was only a few blocks from the JAMsj
museum (Japanese American Museum of San Jose), featuring stories, artifacts,
and tales of the survivors of the internment camps across America. Expecting to just make a quick visit, I
ended up spending a couple hours, processing the dark secrets that happened.
My
mind was a bit numb as we exited the Longacre theatre
and headed back to our hotel.
Dropping our souvenirs back in the room (I picked up a CD), we went down
to the bar downstairs for a beer.
Finding it closed early for some reason, we headed next door to the 3 Monkeys. It was 0 degrees outside now and we
hadnÕt bothered to grab our coats (since we were just going next door) - the
bouncer at the door laughed and smiled that we must crazy for going out without
a coat! We enjoyed a local craft
beer and watched some Motocross racing on one of the TVÕs and joked about crazy
the politicians have gotten during the last couple debates - easy mindless
entertainment for a change, to let the mind relax and recover after an
emotional day.
Back
at the hotel, it was nice to chill and just read a little of the ÒTipping
PointÓ before hitting the sack. I
always marvel at the psychology of the human mind and what drives people to
make certain decisions when a critical mass is reached, whether it was
something in fashion like ÒHush PuppyÓ shoes, or something morbid such as
engage in mass hysteria toward a certain race of people.
February 14
We
had a half-day rehearsal today, this time with the soloists. IÕm glad I was able to sleep well the
night before since 9:00 am would be 6:00 am on my (west coast) clock. A quick breakfast of coffee and a pastry
and a banana at the Starbucks got us started (and this time I found my gift
card after Òlosing itÓ when it got stuck to the back of another cardÉ)
Rehearsal
was intense, a complete run-through of the Requiem, emphasizing the multiple
fugues and important entrances. I
knew some of the tempos were tricky and we would have to watch carefully,
especially after yesterday where it seemed like the left half of the chorus was
a couple notes ahead of the right half of the chorus! I think almost everyone in the chorus
had sung the Requiem before, but all with different directors and different
interpretations. Vance George knew
of some tricks to make it really ring in the big hall - extra consonants to
emphasize the runs of the ÒOsannaÓ fugue, a bit of
extra ÒmmmÓ at the end of some phrases, and small bits of daylight at the very
end of the big fugue at the end ÒQuia pius esÓ. The soloists were wonderful and I
couldnÕt wait to hear them the next day on the big stage!
Vance
really knew his music theory as well.
I had studied music at MIT years ago and when Vance talked about fugue
subjects, inverted fugues, double fugues, the difference between an Italian and
German 6th chord, and a Neapolitan resolving to the dominant, I had to dust off
the cobwebs in my mind. I noticed
on some cut-offs, however, that instead of holding the final note for the full
value, we would cut off early.
Maybe that was in anticipation of the resonance of the hall to avoid
notes getting muddled together. But
sometimes I found it natural to cut-off early anyway. There didnÕt seem to be a precise rule,
an objective truth for the cut-offs, which bothered me, coming from a
mathematical mind. I guess it was a
form of Òmusical fictaÓ where slight modifications may
or may not be added during a performance - Monteverdi had many accidentals in
his Renaissance style music that were just assumed and not precisely written. Vance knew how to express the music
artfully, which I think is what really counted.
I
was tired after the rehearsal but eager to make the most of our experience in
New York. I hadnÕt originally made
any plans for sight-seeing during our 4 days since I
knew there would be a lot of rehearsals - (how do you get to Carnegie Hall?
Practice! Practice! Practice!) (Of
course, knowing the right people also helped a lot!) I knew the 9/11 museum had opened
recently and the Freedom Tower had just been completed. What a better way to pay a tribute to
9/11 than to visit the site itself?
Only Mark and I decided to go – it was still too painful for many
people.
I
felt the rest of the afternoon was orchestrated by God. I was originally expecting to just take
a cab or subway downtown to the Freedom Tower, maybe do a quick walk around the
memorial pools (I had already seen these on a previous visit, though tickets
and a long wait were required). I
thought also it might be a good idea to get a timed ticket to avoid a wait but
wasnÕt sure if it was worth the risk.
Mark said he wanted to go to another show that night, but since curtain
wouldnÕt be until 7:30 or 8, he was interested as well. We decided right after the rehearsal to
head downtown.
A
cab arrived almost instantly - hailing one was faster than catching an auto
rickshaw in India (though an order of magnitude more expensive!) The $1.3 million dollar medallion had to
be paid back somehow. We passed the
Intrepid aircraft carrier as we headed south - the
Lockheed A-12 (predecessor of the SR-71) that I remembered was still parked on
the flight deck. We paralleled a
section of the High Line - the abandoned railway that had been converted into a
park. Some people were walking the
path of the old tracks - they must have been locals, braving the frosty air.
Mark
was on his phone most of the ride down, checking out shows. He had apparently done his homework
ahead of time, checking out reviews of shows in the New Yorker. Old Hats was playing, but apparently
sold out. An improv
comedy show still had tickets, and another show that I hadnÕt heard of
ÒSomething RottenÓ still had mezzanine seats available. I had a hard time thinking about getting
tickets to a silly show - my mind was preparing for a serious state of mourning
and grieving. I trusted MarkÕs
judgment with the tickets and we secured 2 seats for the 7:30 show of
ÒSomething RottenÓ (though we would end up getting hit with some hefty fees
when all was said and done - $25 was the price of convenience per ticket!)
Remembrance pool
It
was still pretty frigid when we arrived near the Freedom Tower - I donÕt think
the mercury topped 10 degrees all afternoon. Some crunchy snow remained - a small
remnant of the recent big snows. I
had all my layers on - fleece, ski jacket, gloves and ski hat (it doesnÕt even
get this cold in Tahoe!) The pools
were exactly as I remembered from 2 years ago. The waterfalls were barely trickling,
however - with the freezing temperatures, I donÕt imagine much water
flowing. Several red roses placed
by mourners by some of the names written in the dark granite plates surrounding
the pools could have been placed by people who had lost someone during that
fateful day - valentines to lost loved ones. I ran my hand across several of the
engraved smooth granite panels.
I
had actually forgotten that there was an entire separate 9/11 museum next to
the Freedom Tower. I thought the
museum was part of the observation deck of the tower. I remembered the price being $32 for
admission up to the tower, and when Mark and I finally got to the front of the
line, we were both puzzled when the price was just $24. Maybe the price was lower at the ticket
counter? Maybe $8 of it was fees for
booking online? When we realized it
wasnÕt for the Freedom Tower, we almost changed our mind and left, but
something stirred inside me to buy a ticket anyway. Mark followed after me and got one too. I think this ÒaccidentÓ was cleverly
orchestrated in a profound way. I
was reminded of how one of my dadÕs friends from the Navy who had worked at the
Pentagon didnÕt show up to work on 9/11 since he had to testify for a court
appearance that day. IÕve heard so
many stories of people who missed their train in the morning to the WTC, or
missed their flight when they should have been on one of the 4 ill-fated
planes. I wonder how many times God
sends His angels and we are unaware of His protection?
I
wasnÕt at all prepared for the serious journey we were about to embark on. We had a quick lunch at the cafe by the
lobby. I could barely eat my
arugula salad, knowing right behind me were remnants of two large
trident-shaped steel girders of one of the World Trade Center buildings. I had to sit facing away from the
girders. My mind was racing with
anxiety of the solemnity of the place.
Remembrance
is a key aspect in preservation of our heritage and culture. The Taliban tried to wipe out so much
history in Kabul causing people to lose their sense of rootedness, making them
more vulnerable to defeat. I am
quite proud of the work done to remember the events of 9/11. I am also proud of remembrances of the
Holocaust and Japanese internment – many lessons can still be
learned. I will have to visit the
Holocaust museum some time (even though it was only a few blocks away from us).
After
lunch, we headed down progressively deeper levels of the museum. Almost the entire museum was
underground, following the footprint of the twin towers. Two large mournful paintings of people
stricken with grief stood by the top of the stairs - I imagined the artist in
tears as he slapped layers of paint on the chaotic and jumbled canvases.
The
main pathway into the museum was a large ramp, descending 6 stories to the very
foundation of the twin towers.
Descending the first part of the ramp in silence, we heard
recordings of snippets of how people first heard the news of what was happening
when the attacks first happened. We
came to a railing overlooking a deep basin. A 6-story high slurry wall on one side
acted as a large retaining wall to keep out the mud and water of the Hudson River. Large retaining bars every 10 feet kept
it from buckling under the force.
Across from the slurry wall was a gleaming silver cube suspended like an
image of heaven in Revelation - it was actually the underside of one of the
pools we had just seen, and it formed the outline of one of the twin
towers. Seeing the sheer size and
immensity of the cube was a humble reminder of the magnitude of destruction
that occurred. The original
foundation of one of the twin towers was visible underneath the cube was
visible as well - the girders had been cut right at their base, revealing their
square cross-sections every 10 feet or so.
Between the slurry wall and the cube was a girder of one of the towers,
painted with some of the numerous responders during 9/11 - various fire
departments and police departments.
Many heroes were made that day from ordinary people doing their jobs.
I
could only sit and stare at the magnificent site for several minutes before
venturing deeper into the chasm of painful memories. I felt how Jesus had to descend into the
deepest reaches of darkness before he could be resurrected again. A large flag hung on the wall containing
remnants of the numerous flags found and recovered from Ground Zero. A twisted set of girders hung on another
side, buckled from the immense weight and heat of the collapsing towers. A bold message was inscribed in a blue
tile mosaic in all caps - ÔNO DAY SHALL ERASE YOU FROM THE MEMORY OF
TIMEÓ. We shall never forget. The terrorists thought they could weaken
America by this destruction, but it only strengthened the American spirit. I was reminded of a counterintuitive
thought experiment of how much water would you have to spray on the sun to cool
it down - but actually spraying water would only make the sun hotter!
9/11 museum
At
the base of the ramp, we saw both of the towers contained their own museums
inside. Entering the first room, we
were soon overwhelmed with the solemnity of the 2,977 photos of the victims of
9/11 - 2,606 were killed at the WTC and surrounding areas, 125 at the Pentagon,
and 265 on the four flights (this includes the 19 perpetuators for a total of
2,996 killed). Each person had a
story and was treated with proper dignity.
I sat in the theatre during the reading of several names and their
stories. I was amazed that even
almost 12 years after the attacks, victims were still only then being
identified. The mosaic of photos
reminded me of Eric WhitacreÕs Virtual Choirs where
singers from around the world submit videos of their individual voices singing
their parts, and these videos are stitched together in a vast mosaic to produce
a giant choir of thousands of voices.
WhitacreÕs sound is ethereal - the dissonances
and shimmer of his chords have a profound effect. His ÒWater NightÓ and ÒLux AurumqueÓ are some of my favorites.
Artifacts
recovered from the smoldering wreckage of the collapsed towers gave a personal
aspect of the destruction - watches that had melted, still fixed on the time
when the plane hit, telephones, rolodexes on peopleÕs desks, and other
paraphernalia that was used every day by ordinary office workers doing their
jobs to raise their families.
Artists had expressed their grief in so many ways, and some people even
expressed their remembrance through tattoos, some covering their whole backs,
that they could proudly show for a lifetime.
The
second room in the other tower was quite a bit more disturbing. A fire truck from Ladder 3 that had been
parked nearby one of the burning buildings had been scorched by the intense
heat, and the entire back half of the truck had melted, causing the ladder and
back half of the vehicle to droop downward. A blob of steel was once a bunch of
girders from several stories of one of the towers, melted down like spaghetti. Candles and notes and mementos from the
numerous make-shift memorials shortly after 9/11 were
preserved. Phone messages, videos
of people jumping helplessly from the burning buildings and newscasts from
reporters nearby stirred the memories.
The path through the room took you in chronological order of when the
towers were hit and collapsed. The
Pentagon was hit and the plane crashed into the field in Shanksville,
PA, where the famous words of Todd Beamer were recorded from one of the ÒAirfoneÓ devices on the plane - ÒLetÕs Roll!Ó George W. BushÕs speech shortly
afterward steeled the nation to fight terrorism - I still remember his speech
on my first scuba diving trip to the Channel Islands in September 2001.
Outside
the room, we descended another story below the actual foundation, where we
could see the original steel grillage built on the solid schist metamorphic
bedrock 70 feet below the surface scoured out by glaciers, which lay well below
sea level. The thickness of the
girders and steel plates was humbling - how much weight they had to
support. The towers were engineered
amazingly well, and seeing how they failed in the extreme acts on 9/11 showed
us what we did right and what needed to be done.
A
set of long escalators took us on an express ride toward the exit of the
museum, shortcutting the long winding pathways we descended down. It appeared as a stairway to heaven
ascending to the sunlight above. I
rode the escalator in silence, seeing it as a metaphor for the end of my life
on this broken earth, and that I would be on my way to heaven to be with
Jesus.
Exiting
the museum, we headed next door to the Freedom Tower. The imposing blue steel and glass
tapered, rotated cube has a roof the same height as the original World Trade Center
towers, topped with a 400-ft spire (donÕt call it an antenna!), making it 1,776
feet high. It was architected by
David Childs whoÕs firm also designed the Burj Khalifa – the worldÕs tallest building, in
Dubai. I felt visiting the newly
completed tower was a means for securing closure of the grieving process of the
destruction and loss during 9/11. After
experiencing the depth of hell in a most painful manner, I felt only then was
it appropriate to ascend to the heavens going up the Freedom Tower.
Freedom Tower and
remembrance pool
People
were lined up for the elevators, patiently waiting their turn. We were told at the counter the next
available ride wouldnÕt be until around 5:30, after sunset, a 1 1/2 hr wait. I was
hoping to see the sunset from the top, but knowing our tickets for the show
afterward were for a 7:30 show, that would make things rather tight. We might end up having to scarf a quick
dinner on the go in that case. We
were told, however, for $20 more, we could get the ÒVIP upgradeÓ, putting us to
the front of the line and giving us access to the ÒVIP loungeÓ where we could
enjoy drinks with the view. Sure -
we thought, we had splurged a bit on this trip to NY, what was $20 more?
Taking
the escalators down to the elevators, we whisked by scores of people waiting
patiently for their turn. It was a
bit of change of mood - we had just been moving slowly and contemplatively in
the museum with the masses of people, now we were treated like members of
TrumpÕs cohorts with money to burn.
The elevator ride was under a minute - one of the fastest elevators in
the US. A movie played on the inside
walls of the elevator as we were whisked upward, portraying the history of the
settlement of Manhattan from the Lenape Indian settlers before the European
colonization, to construction of villages, and higher and higher office
buildings. The Singer building (of
sewing machine fame) over 600 feet high was the tallest building in the world
in 1908. Sewing machines in that
day were a vital technology. In
1971 the twin towers appeared right next to where we were. I caught just a quick glance of them
before they disappeared 30 years later.
During the last part of the ride, a flurry of girders started assembling
themselves into place around us as the movieÕs chronology caught up with the
present moment. I felt a sense of
healing that we had overcome the hate of the terrorists and rebuilt.
The
doors opened, revealing a giant movie screen welcoming us to New York. The curtain pulled back, revealing a
magnificent view east over the East River.
It seems every year a new skyscraper is completed - the skyline is
always evolving. 432 Park AvenueÕs
penthouse supposedly sold for around $90 million, though it was empty most of
the year - much of this elite real estate was used solely for investment
purposes. I couldnÕt imagine having
to make a 1000-foot elevator ride up and down every time I needed to go across
the street!
With
our VIP passes, we were escorted away from the crowd into a private VIP
lounge. The modern decor was swanky
and sophisticated. A bar in the
corner beckoned us for drinks.
Given our VIP passes, I felt - what the heck? Live like a high roller for an hour or
two! The ÒNYC Yellow CabÓ mixed
drink felt as overpriced as the medallions on the taxis. The vodka and juice drink was satisfying
but cost a pretty penny - $22. But
it was all about the experience. It
was definitely an afternoon of mood whiplash - intense sorrow of the 9/11
museum, but intense joy of seeing the newly constructed tower, and getting to
call Nisha to wish her Happy ValentineÕs day from the 102nd floor!
Manhattan from the Freedom
Tower
The
view extended up through all of Manhattan to the north - the Empire State
building and Rockefeller Center were right there next to 432 Park Avenue. Across the Hudson River was New
Jersey. The air was so clear after
the bitter 40 mph winds of the previous day - we could see the outlines of the
Poconos Mountains in PA. To the
south was the Island of Tears - Ellis Island, another place of joy and
sorrow. Many immigrants left their
homes and families in Europe to escape wars, potato blight in Ireland and economic
hardship to seek a new life in America, the land of opportunity.
The
Statue of Liberty stood proudly on Liberty Island. The Empty Sky memorial lay in the glare
of the sun to our west - another memorial to 9/11. Two walls that framed the former
location of the twin towers, now point to empty sky. GovernorÕs Island and the Verrazano
Narrows Bridge stood to the south.
Queens to our east lay across the East River, bridged by the famous
Brooklyn and Manhattan bridges. The
buildings appeared to glow in the late afternoon light as the lengthening
shadows gave depth to the canyons between the towers of steel and light.
Rejoining
the masses after our VIP experience, we were surrounded by tourists once
again. We took just a few moments
to have a last look around and pick up a souvenir magnet before heading out. It was a quiet ride down the 100 floors
back to the ground level. The
gibbous moon reflected on the side of the Freedom Tower as we walked back to
the street to hail a cab back to our hotel.
Almost
immediately an ÒUberÓ driver showed up to give us a ride. I hadnÕt hailed it with my Uber app
(though I was thinking about it - Uber was cheaper than cabs many times). I was hoping to get a proper cab. In NYC, some cab owners have paid over a
million dollars for the medallion, giving them a permit to pick up people. But with the appearance of Uber and Lyft and other ride-sharing apps on peopleÕs phones, taxis
have suffered greatly. Some taxi
drivers have had to declare bankruptcy.
A medallion that was once worth over a million dollars might have
dropped 40%. Some drivers even
borrowed against their medallion to buy a house (not the other way around),
causing people to lose their homes.
I
was hesitant at first, but we decided to get in anyway since we wanted to get
back to the hotel quickly. Our
driver knew the shortcuts and tricks to get us around traffic (though IÕm not
sure how much of it was legal - I guess itÕs only illegal if you get
caught). I was checking email on my
phone when I saw we were almost to our hotel already. We made the mistake of not negotiating
the price (which if we had used the Uber app, we would have known up
front). The taxi ride down was
about $20, but this ÒUberÓ driver was asking a hefty $35. We were at his mercy and didnÕt have
much choice, realizing he was actually a ÒrogueÓ Uber driver, not a bonafide one.
Oh well - lesson learned.
Curtain
for our evening show was at 7:30, so we had a little over an hour for dinner
and to wander over to the theatre.
Dinner turned out to be a Òbromantic affairÓ
at a fancy Italian place with candles and roses for ValentineÕs Day! The restaurant had good reviews and I
was not disappointed with the food and service. The scallops and red wine were
excellent. A street artist just
outside the restaurant was doing a spray-paint rendition of a 9/11 memorial
painting - twin beams of light reflecting the former locations of the towers.
The
St. James theatre was just down the street - the sign read that ÒSomething
RottenÓ was a Òvalentine to Broadway musicalsÓ, a fitting title given which day
it was! I was ready for something a
little lighter than last nightÕs show.
Mark had read some good reviews of the Shakespeare spoof comedy, and I
was looking forward to just enjoying the evening.
At
first I was expecting a corny tongue-in-cheek sort of comedy, but the show was
quite a bit better than I expected.
We had sung some ÒBrush Up Your ShakespeareÓ a few years back with
Schola, and found out AllÕs Well That Ends Well even if ÒHamletÓ was
misunderstood as ÒomeletteÓ! I hadnÕt expected it, but I found that seeing
a comedy turned out to be quite a healing experience, that even after the
terrible tragedy of 9/11, people are able to enjoy themselves once again with a
night out on the town. Living in a
persistent state of mourning would be evidence that terrorism has defeated us.
It
was a bit late when the show let out, and the mercury was dropping fast once
again, so we high-tailed it the several blocks back to the hotel where we could
warm up again and get some good sleep in anticipation of the big day the next
day. MarkÕs wife had graciously
sent for some chocolate cupcakes to be delivered to our hotel, so we got to
enjoy a nice surprise dessert at the end of the day!
February 15
I
couldnÕt believe the big day was finally here! I was thankful for getting a good night
sleep and waking up fresh. No sore
throat or laryngitis - whew! I was
glad to have a couple hours on my own to relax and peacefully stroll through
town, maybe visit Rockefeller center or one of the museums. It was overcast, but didnÕt look too
bad. Snow was forecast for later in
the day. Mark was going to be
visiting friends and family in the morning and afternoon so I would be on my
own. I was looking forward to just
wander for a bit.
After
breakfast coffee and a bagel at the Coffee Bean and Tea Leaf across the street,
I headed down 54th street by MOMA over to 5th Avenue. I might be going back in the afternoon
when my parents visited but that was fine.
You could show your love for the Big Apple at the LOVE statue. I remembered St. PatrickÕs cathedral was
under renovation last time I was there, and there was a service going on, so it
was hard to see much. I was
pleasantly surprised to see all the scaffolding was done and it appeared the
3-year renovation was completed.
The marble was exquisite, and I remember seeing the difference last time
between the restored and un-restored stone. Pope Francis had visited in September
2015 right after the restoration was completed.
Entering
through the ÒDoor of MercyÓ on the side, I soon entered the solemn and silent
sanctuary. My mind needed a quiet
place to process the events that had taken place so far and prepare me for the
rest of the big day to come! A few
people were seated, some reading, some praying, and some quietly meditating in
the holy place of worship. I
enjoyed our trip to Germany in 2014 and felt the visit to the Neo-Gothic style
cathedral was taking me back to Europe.
But instead of being 900 years old, this church was not even 150 years
old. The vaulted ceiling supported
by dozens of majestic columns brought my gaze heavenward. ÒIHSÓ stood at the very pinnacle of the
ceiling at the intersection of the transepts - it is an abbreviation of IHΣΟΥΣ, Greek for Jesus.
Dozens of statues, altars, and stained-glass windows adorned the
sanctuary. Two majestic pipe organs
would fill the church with music.
IÕll have to come back for an organ concert! A crypt lay below the main altar - I
imagine it was full of old tombs, like those in Munich we saw in 2014. I wonder when people are allowed in.
St.
PatrickÕs Cathedral
I probably spent an hour inside, wandering the various
hallways and side altars, admiring the work and care taken as an act of
worship. I hope it can last another
750 years! Walking across the
street, I came to Saks Fifth Avenue, which in stark contrast seemed to be a
sanctuary to consumerism and money.
Wandering just one hallway inside was enough - I sampled one spray of
designer cologne, which was probably easily $100 for a small bottle. (The scent remained for nearly a week,
which was surprising, so maybe it would have been worth it!)
Rockefeller Center with the famous Atlas statue was just
across 5th Avenue. I re-visited the
skating rink I had remembered from a couple years ago right after
Christmas. On this cold February
morning, the ice was mostly quiet with just a few skaters. The $32 price was enough to keep me just
watching from the sidelines for a few minutes. A glittery snowman stood right in front
of the mighty Rockefeller tower.
Stopping at a Godiva chocolatier down the street to warm
up, I mulled over buying a box of dark chocolate or at least a chocolate
covered strawberry, but alas, $7 for one strawberry made me think about coming
back next time. I guess a lot of
rich people stroll 5th Avenue, by the Rolex watch store, TiffanyÕs or any of
the other designer brand stores. I
recognized some of the brands as customers of Centric Software so I took some
pride in knowing what some of clientele was like. There was a lot of glitz and money up
high, however my role as an engineer actually has me quite removed from most of
the action, isolating me, and creating a dissonance and a sense of
artificiality in my daily work. I
am looking forward to a trip to Haiti coming up, where I will be joining
volunteers with Compassion International, working with needy children – I
wonder how long I would be able to hold out doing software before I would feel
I need to do something more real.
I peeked into the Tiffany store and had a glance at the
famous Tiffany Diamond. The
brilliant yellow diamond was now set into a necklace - the setting was only
changed recently, though the diamond itself was the same, gleaming as if it
were in the Smithsonian. This
crowning glory of consumerism was juxtaposed with the Trump Tower just next
door. He had such an ego to invite
people to have a drink at the ÒTrump BarÓ, then dinner at the ÒTrump GrillÓ,
followed by dessert at the ÒTrump Ice Cream ParlorÓ, then souvenir shopping at
the ÒTrump StoreÓ. I wonder if a
Yellow Cab mixed drink would be $22 at the Trump Bar, but I didnÕt bother to go
in and check - I didnÕt want to know.
Trump was proudly selling his book ÒCrippled AmericaÓ - I fully expected
his narcissistic and bombastic rhetoric like what weÕve been hearing at the
presidential debates. I wonder if
he would really make America great again like he said in his book, if he
somehow managed to get voted for president. After seeing all the turmoil at the 9/11
museum, and knowing all the turmoil around the election, I am almost afraid
that if he did get elected, something crazy would happen, that he would get
assassinated, or the economy would crash again, or terrorists would strike
again.
Central Park was just a couple blocks down 5th Avenue, at
the corner with 59th. The Apple
store was right on the corner, across from the statue of William Tecumseh
Sherman from the Civil War. I
wonder if Steve Jobs might be enshrined in 150 years. The seals at the Central Park zoo were
swimming lazily - one of them got out of the water to pose for a photo. The glockenspiel at
the clock tower just past the zoo were chiming and the animals were
parading around - it was 11:00.
Afterward it was a quiet stroll through Central Park - up to the
Bethesda fountain, which I had remembered from 2014. The fountain was quiet now, with the
weather far below freezing - the plumbing would have frozen long ago if they
left it on. The Lake was completely
frozen, probably thick enough to skate on (though I wasnÕt about to try
it!) Horses and buggies carried
people lazily along the carriageways.
Ladders had been placed around the lake to assist in rescuing anyone who
might fall through the ice. The
Pond was frozen as well, this time with the ice plenty thick enough to walk on
safely (though I went out only a few feet to retrieve a lost tennis ball on the
ice). I remembered there was an ice
rink there as well from my previous visit, and upon seeing it, I quickly
noticed it proudly displayed as the ÒTrumpÓ rink. The ice was in the process of being zambonied by a ÒTrumpÓ machine - the bold face letters
making sure we didnÕt miss the name.
Central
Park
It was already almost noon and time to get back to the
hotel to get ready for our dress rehearsal. On my way back to the hotel, I looped
back on another street a couple blocks over where a building was going through
some extensive renovation. Walking
on a temporary path underneath a bunch of scaffolding I peeked through a gap in
the fence to see what kind of work they were doing. The inside was mostly desolate, stripped
down to the fire-proofed steel beams and concrete
foundation. The sight of the naked
girders brought back a flashback that nearly took my breath away.
A steel grating on the sidewalk a little ways down had
an uncanny appearance as well - the bars were shaped just like the steel beams
on the outside of the World Trade Center.
These flashbacks would continue for at least another week. The cactuses on a box of taco shells at
home looked uncannily like the ÒtridentÓ steel girders in the 9/11 museum - I
had to turn the box around so I wouldnÕt see the cactuses. And my routine for the gym the next week
would have been to do the stair-masters (I normally rotated between elliptical,
bike and stair-masters for cardio).
My routine on the stair-masters was 110 floors, which I think started
shortly after 9/11, when that fall, I hiked Clouds Rest in Yosemite with some
friends, and I had developed a training routine that during a typical 20 minute
workout, I would climb 110 floors, which matched the number of floors of the
World Trade Center). Sensing the
flashback again I had to refrain from the stair-master at the gym and repeat
the elliptical instead.
A cafe was across the street, the ÒFresh & CoÓ which
I recognized from 2014. Nisha
remembered the healthy wraps and soups there, and I was happy to see they were
still in business. I ordered a panini to go and enjoyed it back
at the hotel, before grabbing my music to head to Carnegie Hall for our dress
rehearsal!
It had started snow flurrying as we walked the couple
blocks to the stage door at Carnegie Hall - a nondescript door on the opposite
side of the building as the main doors.
Security was strict and we were instructed to leave everything except
our music behind. No water bottles,
jackets, hats or other accouterments.
If you were caught pulling out a camera to sneak a photo from the big
stage, the hall police threatened to confiscate your camera and perhaps even
bar you from singing on stage that evening. I was bummed about the excessive
security, knowing the motto Òpics or it didnÕt
happenÓ, especially in our Instagram / Facebook
society. Oh well, weÕd seal it on
our memories.
Half the group went up to a large green room on the 6th
floor (hoofing it up all the flights of stairs there!), and half the remaining
folks went to the 5th floor and the rest were on the 4th floor. Some posters on the walls of the green
room reminded me of other famous people who might have stood in the exact spot
we were. Duke Ellington and Billie
Holiday might have warmed up for their big shows many years ago, standing on
the same cross-cut wood plank floor. We only spent a few minutes in the green
room in order to line ourselves up according to our rows and files before
marching back down the many flights of stairs to the main stage.
Entering the stage row by row from the back, we filled
out our 8 rows of 32 singers per row (256 in total, which I figured out quickly
from playing the 2048 game too many times). I had seen pictures of Carnegie Hall
since I was a kid, knowing that the best of the best only ever get to be on
stage there! The hall was
magnificent - the Italian Renaissance design was borrowed from similar grand
venues in Europe. Carnegie Hall was
built completely from brick and masonry without any steel, and the thick walls
reverberate the sound as well as insulate well from the cacophony of street
noises outside.
There were 2 complete tiers of boxes above the floor
Parquet level, wrapping completely around the enormous hall. Above the two tiers were two more
balconies - the ÒDress CircleÓ and the upper balcony (the nosebleed seats, only
reachable by climbing 137 steps!).
I did a rough count and there must have been over 2,000 seats (I googled it later and found it to actually be 2,804). I was shocked to learn that the hall was
actually slated for demolition in the 1960Õs after the New York Philharmonic
moved to the Lincoln center. I had
performed in larger halls - the Sommet Center in
Nashville when VIH took the bronze medal in the BHS international competition
in 2008 had over 10,000 seats. And
I had performed in similarly elegant venues in St. Petersburg, Russia, when VIH
got invited to tour Russia the year after winning the medal. I really enjoyed Russia and never really
felt nervous, and after seeing the similarities in Carnegie Hall,
that helped me get the butterflies out of my stomach after all. But I felt Carnegie Hall was on my
bucket list.
It didnÕt matter how prestigious the venue was - it was
just you and the conductor.
Watching his baton was the key.
I had sung the Requiem probably half a dozen times and could probably
sing most of it from memory, but I knew this experience was going to be on
another level all together. The
rehearsal went by quicker than I expected - the orchestra was already tuning
and the downbeat was about to start.
Requiem aeternam dona
eis, Domine. Grant them eternal rest, Lord. Kyrie Eleison. Lord, have mercy on us. And have mercy on us as we sing on the
big stage tonight!
It went by like a whirlwind - it was already 2:30 and we
were just finishing a few spots on the last movement. My phone buzzed in my pocket - it must
have been a text from my parents that they had just arrived and were in the
hotel (though I couldnÕt check it until we were done with rehearsal but I knew
their plan). I was excited as we
started filing off the stage so I could meet them. I was thrilled they made it, since the
last concert at the Lincoln Center their plans fell through when my dad got sick. A couple people were sneaking some quick
photos at the end of rehearsal of the grand hall - seemed like the Òcamera
policeÓ wouldnÕt really care anymore.
I saw a couple dozen phones come out - even some of the orchestra
players got theirs out too. I
grabbed a quick selfie and one of the hall before walking off. I grabbed a quick souvenir at the gift
shop before leaving.
It was snowing a wet sloppy snow as I headed back to the
hotel, but it must have been 20 degrees warmer! It supposed to get to over 50 degrees
and raining the next day – I couldnÕt believe it! At least travel the next day shouldnÕt
be as much of a hassle with rain instead of snow. After dropping off my music in my room,
I speeded up to the 11th floor and was thrilled to see my parents - yay! We had originally talked about going
down to the 9/11 site together, or strolling along 5th Avenue or visiting a
museum, but after seeing the crappy weather and knowing we were all happy to
just hang out and catch in in the hotel, we just stayed put for a bit.
Stella and Vivian had just gotten gold medals in a
gymnastics meet - my parents had just received photos - nice! ItÕs amazing how much the kids have been
growing up the last few years! IÕm
glad to have been able to see everyone over the holidays and that Nisha could
make it too. I missed her on this
trip but I knew just the next day we would be together again at home. I showed my parents the photo of the
view from the stage, and after seeing their tickets we figured out where they
would be sitting. They were on the
2nd tier a few boxes left of center.
Cool - now I knew where to look during the concert. Similarly since I knew my position (row
6, seat 20) I could tell them where to look for me on the risers so they could
spot me among the sea of singers!
It was around 4:30 and getting to be a good time for an
early dinner. I knew we had a
banquet planned for our afterglow party after the concert, but I knew I wasnÕt
going to last until then without a decent dinner. I knew of a pizza place between the
hotel and the Ed Sullivan theatre just a couple doors down, so we tromped
around the corner in the slushy snow to the restaurant. A line was already queued at the entrance
of the theatre so the lucky few could catch a taping of the Stephen Colbert
late show. I would have liked to
try and catch a taping myself (there was plenty of fodder with the presidential
campaigns going on), but they didnÕt do it over the weekend and tonight was the
only night and we had a more important engagement for the evening!
The salad was satisfying and the New York-style pizza
was light and crispy, just the right amount to keep me going for the
evening. We watched the snow
accumulate out the windows from our 2nd floor table. The restaurant was quiet - I imagine it
was quite full after shows at the Ed Sullivan theatre, so we got to talk to the
waiters a bit - they wished me good luck on the stage!
Back at the hotel, my parents got changed and ready to
go to Carnegie Hall for the 7:00 curtain.
Meanwhile I re-joined Mark in our room to change and freshen up a bit
and review the music for a bit before heading to the stage door for our 7:45
call time. MarkÕs forgotten bow-tie was remedied by a spare in my bag – I always
brought a couple extra accouterments just in case anything happened before a
big concert. We were the 2nd half
of the show, and of course didnÕt have tickets to go in for the first half
(unlike last time in NY at the Lincoln Center when I was able to take Uncle
KishÕs ticket and see the 2nd half of the concert - we were the first half, so
it worked.)
Fortunately, the snow had mostly stopped - we didnÕt
want to be waiting outside in our tuxedos too long! The door didnÕt open until a bit after
7:45 as they were a bit behind schedule.
The buildings around us were socked in clouds above about the 30th floor
(quite a contrast to the previous day where you could see out forever). It was fun sharing our experiences - my
trip to Russia and my previous trip to NY.
I think most people in the line had similar musical experiences as well,
creating a wonderful feeling of camaraderie.
The line started moving, and we were soon going
inside. Our coats again had to be
hung on the multiple racks by the stage door entrance before we headed up to
our respective green rooms. The closed-circuit TV was playing the Mealor
- from the first group. The sound
was pretty low and the video wasnÕt great, but I knew it was real, and we would
soon be on the big stage. The Mealor seemed to go on forever - they were getting more
delayed. But maybe just my sense of
time was being distorted with the immense anticipation.
But soon again we were lining up in our ranks and files
and heading down the many flights of stairs to the stage entrance. I couldnÕt believe we were finally doing
it! Music in our upstage hand, we
filed down the hallways toward the stage.
On the last corner before coming into the bright lights, I noticed a
bunch of carts hanging along one of the walls - their wheels protruding out in
a geometric pattern very similar to the pattern of tie rods in the slurry wall
visible from the 9/11 museum. A
brief but intense flashback hit me just moments before entering the stage - I
had to stay focused.
Vance George soon took the podium and once again, the
familiar 440 Hz ÒAÓ started sounding as the orchestra started tuning - the
strings, winds and brass. I peeked along
the 2nd tier just left of center and lo and behold, the pink sweater of my mom
was there! And my dad was there too
next to her! Then I recognized her
blue phone as it came up - I winked: Òtake a photo! Good. Another one - yes! And another, and another - gotta capture every moment!Ó I wasnÕt sure if it was going to be
allowed, but after seeing a bunch of flashes go off from other peopleÕs cameras
maybe they werenÕt going to really do anything. The house was mostly full - maybe around
2,500 of the 2,804 seats were full, waiting in solemn expectation of the
downbeat.
The concert started very slow and deliberate with the
first movement. The work started
quietly with a barely noticeable progression, as when a tree of remembrance is
just planted and starts to grow, its first tender shoots coming up out of the
snow. I had to concentrate again to
stay focused. I was afraid of
bawling out in tears during a quiet section, but once we started singing the
first movement the techniques we had learned in rehearsal were coming
back. After what felt an eternity,
however, I noticed we were only on page 6 (I remembered my score having 80
pages!) But I think after the Kyrie
Eleison movement, the
butterflies fluttered away and the rest of the concert seemed to fly by. Next I looked, we were on page 56!
But then the ÒLacrimosaÓ
movement hit me -
Lacrimosa dies illa, That day of tears and mourning,
qua resurget ex favilla when from the ashes shall arise,
judicandus homo reus. all humanity to be judged.
Huic ergo parce, Deus, Spare us by your mercy, Lord,
pie Jesu Domine, gentle Lord Jesus,
dona eis
requiem. Amen. grant them eternal rest. Amen
I
remember a scene of firefighters atop the ashes and wreckage of one of the
World Trade center towers raising an American flag like the famous flag raising after the pivotal battle of Iwo Jima in WWII. I feel many of these brave firefighters
deserved a Congressional Medal of Honor (posthumously) for their actions - I
thought again of Hershel W. Williams from the airport.
The
rhythmic basses in the Recordare reminded me of the
rhythmic ÒheartbeatÓ in a museum in St. Petersburg, where a constant
ÒheartbeatÓ would play on the radio to encourage people to endure and survive
during the brutal 900-day siege in WWII.
The
final movement ÒLux AeternaÓ brought a closure of the
intense joy and sorrow of the Requiem -
Lux
aeterna luceat eis, Domine, Let eternal light shine on them, Lord,
cum sanctis tuis
in aeternum, as with Your saints in eternity,
quia pius
es. because You are merciful.
Requiem
aeternum dona
eis, Domine, Grant
them eternal rest, Lord,
et Lux perpetua luceat
eis, and let perpetual light shine on them,
cum Sanctus tuis in aeternum, as with Your saints in eternity,
quia pius
es. because You are merciful.
I
had sung the words so many times, but seeing the extremes of joy and sorrow in
the text after visiting the memorial the previous day took on another whole
meaning.
The soloists sounded wonderful. The bass in ÒTuba MirumÓ
rang a deep tone as if the earth itself was singing. The soprano in ÒLux aeternaÓ
sounded like heaven singing. The
final ÒSum SanctusÓ double fugue urgently sprang forth as the entrances
accelerated in stretto fashion. The diminished 7th
chord right before a pregnant pause on the very last line of the work set the
entire orchestra and chorus for the finale ÒQuia pius esÓ. I felt a sonority
so grand, as if the gates of heaven were ringing with the open 5th of the final
D chord.
On
stage at Carnegie Hall
I couldnÕt believe we were finished already - it went by
like a blur. The house lights were
coming on as the audience gave a roaring standing ovation. My parents were standing in the back -
IÕm so glad they were able to come!
We were filing off the stage and making our way back down to the
wardrobe room to retrieve our jackets before heading out. Passing a row of coats and behind that
another row of coats, I finally found my red ski coat. I thought of the kids in ÒThe Lion,
Witch and the WardrobeÓ which I had just re-read recently, where the children
passed through a magic wardrobe to enter the land of Narnia. Here we were coming back from our Narnia
(Carnegie Hall), back through the coats and to real life again. It felt all as a dream. These memories would last a lifetime,
and over the following couple weeks I would find connections to the experience,
and new forms of expression I would only begin to discover - it was like
unwrapping a large gift. In fact, I
felt the entire experience of this trip formed seeds of ways to describe GodÕs
goodness that I would uncover layer by layer for many weeks.
I rushed around the building to find my parents - they
had texted that they would be by the ticket counter. When I got close, I
was just about to text them that I was on my way, when I
heard my mom saying ÒMatt!Ó
I was elated! We had done
it! Except for a small do-over near
the end when half of the orchestra thought we were in 2 and the other half
thought we were in 4 (the 2-second redo was barely noticeable), and maybe a
little over-singing in the choir, I thought it went flawlessly. I was happy and didnÕt have any regrets
that we could have done better.
Meeting
my parents
We cabbed it the couple blocks through the slushy snow
(it was now raining) to our hotel.
We enjoyed a glass of wine and stories about what my dad was planning to
do after retiring barely a month ago.
Since both my mom and dad were retired, they were planning some
vacations and home improvement - they were thinking about remodeling another
one of the bathrooms at home. I was
already thinking about my next adventure - my 1-week trip to Haiti in March to
visit our sponsored child. My folks
were talking about visiting the 9/11 museum like I did
the previous day, before catching the train back to Harrisburg.
They had moved our afterglow party to the Empire Steakhouse,
which I saw was directly across the street from our hotel - nice! I said good-night
to my folks and headed over. A buffet of filet mignon, salmon, calamari, and salad and drinks
was enjoyed by all. We were
with the ÒVance George singersÓ group - the ÒmiscellaneousÓ group, since Schola
only had 4 members (the minimum was 10 for a ÒgroupÓ). It was nice to all be together again -
me with Mark, Joan and Julia. Vance
George made his rounds around some of the tables and we got to wish him
congrats and toast to a wonderful concert.
It was probably 1:00 in the morning when I stumbled back
across the street to the hotel. It
was at least 50 degrees now with light rain - warmer than it was during the
concert - strange weather. I
promptly hit the sack, breathing a sigh of relief we were all done!
February
16
Even though it was a late night, we didnÕt have too much
trouble getting up to do our final bit of packing for the airport. A cab soon pulled up and we were on our
way to JFK. Most of the drive was
reverse-commute, and we were pulling up to the Departures curb in good
time. I watched the planes take off
into the grey rainy sky, far from any buildings.
It was mostly cloudy over the eastern half of the
country where a warm air mass encroached unusually north. It was clear west of the Rockies,
opening spectacular views. DisneyÕs
ÒInside OutÓ was playing on the plane.
Even though I had seen it before, it struck me in a new way, seeing the
journey of joy and sadness exploring their way around RileyÕs brain when they
get blown out of her emotional headquarters, manifest in RileyÕs suffering through
emotional numbness and depression.
Both the sadness emotion and joy emotion worked as partners of healing,
and when they eventually find their way back, a new type of memories get formed
as an amalgam of joy and sorrow.
The Requiem performance in Carnegie Hall and the remembrance of 9/11
formed an amalgam of joy and sorrow - with hope for healing and a better
future.
We flew right over Half Dome in the Sierras before
swinging to the north to land at SFO.
I had just finished reviewing our Beethoven Mass in C score - we were
singing that along with HaydnÕs Lord Nelson Mass for our next Schola concert
next month and we had missed rehearsal last night. It was colder in CA when we landed than
it was in NY when we took off. I
was glad to be home! MarkÕs wife
picked us up shortly afterward, where I retrieved my car at their place (still
in 1 piece!) - thanks for the ride!
I hardly got much rest, since as soon as I got home, my laptop was
waiting for me to log into work (today was a work-day) and deal with an Adobe
integration issue at work. Back to the routine.
But the trip would be something I would never forget.